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	<title>Ayşenaz Toker</title>
	<link>https://aysenaztoker.com</link>
	<description>Ayşenaz Toker</description>
	<pubDate>Sun, 11 Dec 2022 23:56:51 +0000</pubDate>
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		<title>About</title>
				
		<link>https://aysenaztoker.com/About</link>

		<pubDate>Thu, 08 Oct 2020 18:42:11 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/About</guid>

		<description>
	
&#60;img width="2994" height="2994" width_o="2994" height_o="2994" data-src="https://freight.cargo.site/t/original/i/ce522aaa941e9b8a6f5f66621b61af177eaf43bfb900b8264f0efa9d44210c17/Aysenaz-Toker_profilephoto_1.JPG" data-mid="131299178" border="0"  src="https://freight.cargo.site/w/1000/i/ce522aaa941e9b8a6f5f66621b61af177eaf43bfb900b8264f0efa9d44210c17/Aysenaz-Toker_profilephoto_1.JPG" /&#62;


	
































































Product designer and design educator working on furniture, public furniture, accessories, toys, games and rituals &#38;amp; spells. With PARÇA; I researches materials &#38;amp; trades of making vernacular to İstanbul to design and produce objects that disregard material hierarchies, and are open to repair and repurpose.


In my personal work, I am interested in alternative ways of relating with everyday environment and materials, that are unmediated by the dominant ideological or commercial structures. I uses tools of design to investigate the interplay between material and form of things, and the capacities they manifest. Through re-contextualising and re-approraiting the vernacular materials &#38;amp; forms; supernatural&#38;nbsp; associations &#38;amp; histories surrounding the human made; she creates visual, material and ritual assemblages where the subjective borders about position and capacity of things are not strict but multiple.


I have received my B.ID. from METU in 2005 and MA from RCA in 2009. I have worked for London based designer Faye Toogood as Head of Product Design, exhibited in Milan Design Week and London Design Festival, won national awards with public furniture, designed objects and organised workshops and talks as the founder member of design collective kümülatif.&#38;nbsp; I am also half of a design coven “object*oriented*magic”, who designs magical assemblages using everyday objects as ingredients by researching and employing the vernacular esoteric knowledge; and participated in the 5th Istanbul Design Biennial and Porto Arquiteturas Film Festival.


As an educator, I has been teaching at the İstanbul Bilgi University since 2014. I have published papers on relations between craft, design and education and taught workshops and organized exhibitions with people with diverse backgrounds; including craftspeople for İstanbul Metropolitan Municipality, art and design students for Krabbesholm Hojskole in Denmark, and international artists and designers for Istanbul Foundation for Culture and Arts.




	
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		<title>"Midwinter Ritual" by o*o*m</title>
				
		<link>https://aysenaztoker.com/Midwinter-Ritual-by-o-o-m</link>

		<pubDate>Sun, 28 Aug 2022 21:32:13 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/Midwinter-Ritual-by-o-o-m</guid>

		<description>
	

 










































Like
they do in agricultural societies, many Anatolian folk beliefs and rituals aim
for synchronization with nature and its change in time. Therefore they are also
linked to nonhuman elements (rocks, winds or mysterious *Cemre*s, as well as
objects like cleavers and sieves) 



 When
we look at the personal through the lens of o*o*m during the pandemic lockdown,
we saw an opportunity to synchronize with nature. We adapted the vernacular
folk rituals of Midwinter celebrations and preparations for New Year, to a
contemporary practice of self-care and personal change.



*Midwinter
Ritual* is a framework and a series of rituals which takes place between
midwinter January 31st and the New Year March 21st, in a flexible structure so
that it can fit to many types of wishes and resolutions, employing the power
objects to initiate, accelerate and reinforce personal change.



*
see
the rituals here
* 

	
&#60;img width="2135" height="9191" width_o="2135" height_o="9191" data-src="https://freight.cargo.site/t/original/i/c12e3fd69d4b66eeccad88f8c242bfd43b6257b5916b7a2072fbbe5c164e4acc/oom_portfolio_midwinter-03-02.png" data-mid="151499455" border="0"  src="https://freight.cargo.site/w/1000/i/c12e3fd69d4b66eeccad88f8c242bfd43b6257b5916b7a2072fbbe5c164e4acc/oom_portfolio_midwinter-03-02.png" /&#62;


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	<item>
		<title>PARÇA</title>
				
		<link>https://aysenaztoker.com/PARCA</link>

		<pubDate>Sun, 11 Dec 2022 23:56:51 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/PARCA</guid>

		<description>
	













Mis-Shapes are a collection of tabletop objects and containers containers with different sizes and uses for everyday things: incense, pens, grapes, keys, almonds, earrings, sweets, cotton balls, popcorn, chocolate, coins, spares and parts.


Rubber furniture feet (used in ferries), acrylic offcuts from signmaking workshops and hand-spun brass lamp parts are manipulated and stacked to create forms exploring with the form the gesture of handling. Objects consist of minimal materials with alternative functional capacities, and secured with solid brass and bakalite fasteners from chandelier parts suppliers, making them open to be repaired and repurposed.


The collection appropriates and subverts already existing network of materials, making trades and components &#38;amp; spare parts vernacular to vernacular to historical Şişhane and Karaköy districts of İstanbul—vibrant urban production areas with hardware supply, and spare parts for machines and tools, raw materials and welders -thanks for being close to the harbour- and also a network of ligthing workshops and material suppliers.


PARÇA design objects disregard material hierarchies and pay attention to components as individuals by bringing together materials and components with different perceived values. Producing in small quantities and custom, all components are made and assembled by hand in small scale workshops in İstanbul; aiming to sustain the vibrant urban production and craft network.
-
Brass, Acrylic, Rubber, Nickel coated steel, Powder coated steel, Bakalite
-

www.parça-parça.com


shop&#38;nbsp;


instagram










 

	


&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/20036e05f81f21016036d3a576e3623cea21c8eb57bc2d3da391d316883cae5c/website_shop_1.jpg" data-mid="161647093" border="0"  src="https://freight.cargo.site/w/1000/i/20036e05f81f21016036d3a576e3623cea21c8eb57bc2d3da391d316883cae5c/website_shop_1.jpg" /&#62;
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		<title>"Mystical Advert" by o*o*m</title>
				
		<link>https://aysenaztoker.com/Mystical-Advert-by-o-o-m</link>

		<pubDate>Sun, 28 Aug 2022 18:57:35 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/Mystical-Advert-by-o-o-m</guid>

		<description>
	

 





















For
the online closing programme “Not Quite a Finissage”; o*o*m has created a “Mystical Advert”,
an invitation to engage with rituals from&#38;nbsp;object*oriented*magic.














 


-Biennial website
-

ongoing projectwith Merve Tuna
www.mervetuna.com

	


&#60;img width="2134" height="4349" width_o="2134" height_o="4349" data-src="https://freight.cargo.site/t/original/i/cef19b2b7dc8c1157e40e0651e974a87ddd94dfce15ba3449830d678ea2b1570/oom_portfolio_mystical-04.png" data-mid="151499306" border="0"  src="https://freight.cargo.site/w/1000/i/cef19b2b7dc8c1157e40e0651e974a87ddd94dfce15ba3449830d678ea2b1570/oom_portfolio_mystical-04.png" /&#62;

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		<title>object*oriented*magic</title>
				
		<link>https://aysenaztoker.com/object-oriented-magic</link>

		<pubDate>Sun, 28 Aug 2022 15:24:11 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/object-oriented-magic</guid>

		<description>
	

 





















object*oriented*magic creates
new superstitions as an antidote to our relations to the material world, framed
by a rationalist way of apprehending reality. Drawing from vernacular folk
beliefs, psychomagic, witchcraft, alchemy and astrological methods; o*o*m
creates ritualistic assemblages with everyday objects, re-charging them with
magic, mystery and myth and revealing their inherent vibrancy.Using everyday objects as ingredients for spells, “the manual of
object*oriented*magic” offers guidance to the lost souls of the modern world
for handling everyday problems. By introducing a layer of irrationality, o*o*m
suggests alternative narratives that go beyond the normative human-object
relations and re-frames the meanings assigned to the things that occupy our
environment.














 


-website
-

ongoing projectwith Merve Tuna
www.mervetuna.com

	
&#60;img width="2134" height="4560" width_o="2134" height_o="4560" data-src="https://freight.cargo.site/t/original/i/8c914469e7dfe455fe7af83e8a68b76146f948e8134e1a57abe7d75205436d2f/oom_about-02.png" data-mid="151492282" border="0"  src="https://freight.cargo.site/w/1000/i/8c914469e7dfe455fe7af83e8a68b76146f948e8134e1a57abe7d75205436d2f/oom_about-02.png" /&#62;


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	<item>
		<title>artgame</title>
				
		<link>https://aysenaztoker.com/artgame</link>

		<pubDate>Thu, 08 Oct 2020 18:41:58 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/artgame</guid>

		<description>

	Card
matching gamed designed for 3-6 years, inviting them to respond to themes,
colors, shapes, textures; encouraging them to narrate the similarities and
differences in artworks by different painters. 


-
For Woppy
https://www.instagram.com/playwoppy/?hl=en


-
With Merve Tuna
www.mervetuna.com
	
&#60;img width="856" height="1048" width_o="856" height_o="1048" data-src="https://freight.cargo.site/t/original/i/6450e320cef79d3ca9856caed93290aa710f6542aa80c1ddc0c29252ecb7db88/artgame_1.png" data-mid="85043826" border="0"  src="https://freight.cargo.site/w/856/i/6450e320cef79d3ca9856caed93290aa710f6542aa80c1ddc0c29252ecb7db88/artgame_1.png" /&#62;
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	<item>
		<title>artisanal labour</title>
				
		<link>https://aysenaztoker.com/artisanal-labour</link>

		<pubDate>Thu, 08 Oct 2020 18:41:58 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/artisanal-labour</guid>

		<description>

	Exhibition content and program for İSMEK Focus Group Workshop,&#38;nbsp; an education program designed for craftspeople in İSMEK community to provide them with novel perspectives they can
apply to their thinking and making process. 



Besides operating as a laboratory in which novel craft
products were designed, developed and produced; this project also intended to
reach a broader audience in İSMEK through seminars, exhibitions and workshops. Past,
Present, Future: The Artisanal Labour exhibition which was held at the İstanbul
Naval Museum in 2018 showcased outputs of the workshop along with selected
applied art and art branches of İSMEK.


-
For İSMEK (İstanbul
Metropolitan Municipality Art and Vocational Training Courses)
https://m.ismek.istanbul


-
With Aslı Kıyak İngin and Seza Sinanlarwww.madeinsishane.nethttp://sezasinanlaruslu.com/










	
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&#60;img width="750" height="500" width_o="750" height_o="500" data-src="https://freight.cargo.site/t/original/i/b12ddedcfbce20daa8f0a0529e4d2b9997a0d9f31e6a483fa1d0816767cc348f/_MG_8966low-res.jpg" data-mid="85043846" border="0"  src="https://freight.cargo.site/w/750/i/b12ddedcfbce20daa8f0a0529e4d2b9997a0d9f31e6a483fa1d0816767cc348f/_MG_8966low-res.jpg" /&#62;





















Hatice UÇAR-
Bahar ŞEN ( Papercutting-Glass decoration), Selvihan Balkan-Yasemin Tunç
(String art-Needle lace), Özgü Karcı-Nevra Yavuz (Needle Lace-Silver filigree),
Güzin Köprülübaşı-Zehra Ekmekçi (Leather decoration-Felt work), Şengül Er-Esra
Küçük (Patchwork-Jewelry), Sermin Büyükbaş-Emine Uygun (Felt work-Ceramics),
Dilek Ak-Şeyma Balcı (Porcelain Decoration-Ceramics), Neslinur Kaptan-Aslınur
kaptan (3d model making), Muhiber Er- Kudret Karahan Çelikay (Patchwork-Silverwork),
Güzin Köprülübaşı-Zehra Ekmekçi ( Leather decoration-Felt work)











</description>
		
	</item>
		
		
	<item>
		<title>imaginory</title>
				
		<link>https://aysenaztoker.com/imaginory</link>

		<pubDate>Thu, 08 Oct 2020 18:42:00 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/imaginory</guid>

		<description>

	Creative and interactive thematic story telling set for 3-6
years. Developed by Alice &#38;amp; Grace, the set features a package that turns
into a stage to create stories within, and different backgrounds, different
tactile characters that can be exchanged to tell different stories.


-
For Alice &#38;amp; Gracehttps://alice-and-grace.com/
-
Character designs:
Mehmet Uluşahin







	



&#60;img width="750" height="500" width_o="750" height_o="500" data-src="https://freight.cargo.site/t/original/i/68811cc3d61fa989cf62bb3a474ea80c7db054e1e20221eefc55f2463b82a27c/imaginory_hi_1.jpg" data-mid="85043848" border="0"  src="https://freight.cargo.site/w/750/i/68811cc3d61fa989cf62bb3a474ea80c7db054e1e20221eefc55f2463b82a27c/imaginory_hi_1.jpg" /&#62;
&#60;img width="380" height="253" width_o="380" height_o="253" data-src="https://freight.cargo.site/t/original/i/4991a536ef22ad3d0f0adff42ab511306f2b73d18a2c76d0bb992495a98e1a4d/imaginory_characters.gif" data-mid="85043847" border="0"  src="https://freight.cargo.site/w/380/i/4991a536ef22ad3d0f0adff42ab511306f2b73d18a2c76d0bb992495a98e1a4d/imaginory_characters.gif" /&#62;
&#60;img width="750" height="500" width_o="750" height_o="500" data-src="https://freight.cargo.site/t/original/i/c52725e55cab1d18187d6e3344d6a9254265839c97440086217f000d65021e66/imaginory_hi_2.jpg" data-mid="85043849" border="0"  src="https://freight.cargo.site/w/750/i/c52725e55cab1d18187d6e3344d6a9254265839c97440086217f000d65021e66/imaginory_hi_2.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>kümülatif new industry</title>
				
		<link>https://aysenaztoker.com/kumulatif-new-industry</link>

		<pubDate>Thu, 08 Oct 2020 18:42:00 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/kumulatif-new-industry</guid>

		<description>

	




















kümülatif have organized their first exercise at İstanbul
İkitelli Industrial Site, with participation of six designers. Immersed in this
environment; we have lived/observed/tinkered/drew/made together. We challenged
ourselves to run a democratic design and production process, while responding
to the cultural, material and economic characteristics of the location. the new
industry: uncertain geometry collection explores subverts a CNC router and an
embroidery machine; pushing these processes to their limits while allowing the
qualities of the machinery and properties of matter such as weight, surface
texture, reflectivity, and temperature to inform the aesthetic of the
objects. The collection comprises of two mirrors, photo holders, a bowl, a
container and a soft surface. 









-
Aluminium, copper,
leather


-
Exhibited at the
Brompton Design District / London Design Festival 2015


-


Design: 


Fernando
Laposse (CSM) / Florie Salnot (MA RCA) / Klemens Schillinger (MA RCA) / Osman Can
Özcanlı (UW–Madison) / Ayşenaz Toker (MA RCA) / Billur Turan (MA RCA)



Production: 


Akar Lazer
Sanayi / Aybakan Örme Sanayi / Ceyteks Tekstil ve Nakış Sanayi / Mavi &#38;nbsp; &#38;nbsp; &#38;nbsp; Metal Makine &#38;nbsp; Sanayi / Melih Kayhan / İbrahim Kekeç / Mir Paslanmaz Ürünleri
Sanayi / Pano Metal ve Plastik
Sanayi / Pınar Çelik Sanayi &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

Visual Identity: 


Necdet
Şahin



Photography: 


Damla
Yılmaz



Photography styling: 


Ayşenaz
Toker / Billur Turan



Modelling: 


Arif Mare



Moving image: 


Jozef
Erçevik Amado / Mert Kayhan / Melih Kundakçıoğlu / Michael Önder







































	&#60;img width="965" height="3221" width_o="965" height_o="3221" data-src="https://freight.cargo.site/t/original/i/68c828b462eb1eba394e2cf855885d1b6179a3c7f281b7284cb029f01363e192/kumulatif-all.jpeg" data-mid="85043850" border="0"  src="https://freight.cargo.site/w/965/i/68c828b462eb1eba394e2cf855885d1b6179a3c7f281b7284cb029f01363e192/kumulatif-all.jpeg" /&#62;




kümülatif The New Industry trailer from kümülatif on Vimeo.












</description>
		
	</item>
		
		
	<item>
		<title>gallipoli</title>
				
		<link>https://aysenaztoker.com/gallipoli</link>

		<pubDate>Thu, 08 Oct 2020 18:42:00 +0000</pubDate>

		<dc:creator>Ayşenaz Toker</dc:creator>

		<guid isPermaLink="true">https://aysenaztoker.com/gallipoli</guid>

		<description>

	
Family of public
furniture and signage designed for Gallipoli Peninsula Historical Natural Park.



 Being a site of extensive First World War battlefields,
Gallipoli Peninsula is a commemorative site for the Allied and Turkish forces
and accommodates numerous monuments and war cemeteries. A holistic look at the
built and natural elements of the site makes it possible to analyse the details and materials of each. Using
these details and materials as a starting point, the family of public objects
reflect the site where they belong to.



 This idea is tied to the overall design concept
for planning, architectural, landscape and graphic decisions: Listening to site
by distancing ourselves from it.
-



















1st place in Gallipoli
Historical Natural Park Project Competition organised by Çanakkale Governate,
2014.


-
Industrial designer of
the multidisciplinary team:


8ARTI
ARCHITECTURE&#38;amp;URBAN DESIGN, pompaa (Graphic Design) and CEYPEYZAJ (Landscape
Architecture).

















	&#60;img width="1340" height="2084" width_o="1340" height_o="2084" data-src="https://freight.cargo.site/t/original/i/c8662bb04861a9ea9c61f79a6a0671d6f87735a9400176c2017597036ac46b9f/gb_1340_c.gif" data-mid="85043851" border="0"  src="https://freight.cargo.site/w/1000/i/c8662bb04861a9ea9c61f79a6a0671d6f87735a9400176c2017597036ac46b9f/gb_1340_c.gif" /&#62;




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